Move over, hobbits, the Time Lord has arrived in the Southern Hemisphere

The time machine’s controls gleam before me, as the central rotor turns slowly within its transparent housing.

I’m in the TARDIS! It’s something I’ve wanted to do since I was a kid in the 1960s, when the BBC science fiction show Doctor Who started screening on Australian TV. Since then, the Doctor – the travelling alien who’s the star of the show, righting wrongs across the universe – has been a hero of mine, and possibly the reason I became so keen on travel as an adult.

And here I am at last, in the Time Lord’s presence. Or, to be truthful, within the next best thing – Doctor Who: Worlds of Wonder. This exhibition devoted to the program has left the UK for the first time to go on show in Wellington, New Zealand. And the Takina Convention and Exhibition Centre, which opened in 2023, has just the right futuristic lines for this role.

There are plenty of costumes and props from Doctor Who on display, but there’s also a deeper purpose to the exhibition: to show how real-world science has been used by the show’s writers and designers to create onscreen creatures and sets.

A video introduction by writer and actor Mark Gatiss leads me onward to the TARDIS Tech Room, where a case full of “sonic screwdriver” props is linked with the use of ultrasonic sound in the real world. On a platform stands an array of robots of varying sizes – including the towering robot used in Tom Baker’s first story as the Doctor back in 1974 and the famous K9, a robot dog who tagged along with the Time Lord some years later.

A room labelled Cosmic Curiosities covers such topics as black holes and survival in space, with a selection of spacesuits used onscreen on display. There’s also the costume worn by Omega, the Time Lord said to have helped harness the power of a star to allow his people to travel through time. A fun hands-on item is a Dalek voice recorder, which turns my recorded speech into the harsh, grating tones of the cyborgs who are the Doctor’s greatest enemies.

There’ll be more Daleks later, I suspect. But now I move to a room devoted to Doctor Who’s connection to life sciences. Past the costume worn by Karvanista, a dog-like alien biologically driven to protect humans – somewhat like our domestic dogs – there’s a fascinating touchscreen connecting environmental topics to specific episodes. Pollution, epidemics, eco-disasters: they’ve all been grist to Doctor Who’s mill over the decades (who can forget the creepy giant maggots featured in The Green Death, a 1973 anti-pollution story with Jon Pertwee as the Doctor?).